Dave Farland's in the House!

If this looks familiar...sorry, Dave's launch was pushed back to today. He'll answer all your questions

Audiobooks

I've been looking into turning my book into an audiobook because so many people have approached me at signings and asked when it will be in audiobook form. (I also listen to my fair share of audio-books) They assure me that they will galdly buy it because they just don't have time to read anymore. 

Have you looked into getting an audiobook made? Wow! Those services are expensive and you're not even guaranteed a great reader.  They can run you around 20 grand. Yep! Take that deep breath.

So, when Dave asked for volunteers to host him this month I was so excited to have him address this very issue.

Here's what he had to say..oh, and if you leave him a question today, he will answer you, so be sure to click the box that will send you his response when you ask a question in the comment form.

Breaking into Audio Books by Dave Farland

As an indie author, how do you break into audiobooks?    

Ah, that’s an easy one!  Most indie authors are afraid of what it might cost to hire a celebrity actor to read a book.  Really, folks, there are other ways.  A few years ago, I had some readers ask if I would ever be willing to podcast my own novel.  I’d never thought of it.  I’m not an actor.  But I did a little informal survey over the next few weeks, and found that 55% of the people who asked about audiobooks said that they would prefer to hear the author read it in his or her own voice.

Of course they would!  I’d love to hear Tolkien read Lord of the Rings to me.  I’d much rather hear it from him than from the finest actor.  In fact, I’d love to listen to both, one after another. 

The point here is that you can do it yourself.  You can either get your own recording equipment or find someone to do it for you.  If you have a local college nearby, find someone who is already working in sound for films.  You can probably hire them to use their own equipment and even mix it for you, taking out your “um’s” and “ah’s.”

Don’t be afraid.  Take an acting class or two if you feel that you must.  As you record, just make sure that you read it the way that you wrote it—with the names spoken the way you want, the stresses put in the sentences the way that you imagined it, and so on.  If you don’t get it right the first time, you can do multiple takes of the same line.  It’s really not that hard, or that scary.

If you really feel that it would be better with a professional actor, just look around.  I have a friend whose voice would be wonderful for broadcast work.  I knew an actor years ago, a fellow in a motorcycle gang, whose “look” would only let him play crazed villains in movies.  He was a big old monster of a fellow, with an enormous beard, and biceps the size of beer kegs.  But he was a sweet guy, and his voice was amazing.  Many times, great voice actors just don’t have the face needed to be popular stars.  So you can often get them to work for you inexpensively or even free, so that they can boost their own resumes as they go seeking other voice-over work.

Your audiobook doesn’t have to be expensive to produce.  You can edit in sound effects if you like.  With my latest book, we had a professional composer create a full soundtrack for it, which is a first for me, but you don’t need all of that.

Once you’ve made your recording, you can post it to the internet from your own website, and even sell it on places like iTunes.  You might even submit it to professional audiobook publishers like Audible.com. (Please see the various vendors for their own rules on how to submit.)

If you haven't read any of Dave's books, now's the time! His new book has arrived! Get it now. Oh, and go like his facebook page.

 www.facebook.com/Nightingale.Novel

David Farland’s latest novel, Nightingale, tells the story of a young man who is abandoned at birth, and raised in foster care.  At the age of sixteen he is thrown out of his house, and meets an extraordinary teacher, a woman who recognizes that he is a “Nightingale,” a creature not quite human.  The novel is available in audio format, enhanced novel, e-book, and hardcover.  Check it out, along with the soundtrack, at http://www.nightingalenovel.com/

Do you have any questions for Dave? You have his undivided attention. Just leave your question in the comments and he'll answer you.

I wouldn't dare do my own audiobook, but I sure know a lot of high school drama whizzes and college production majors....how about you? Would you be the voice of your book?

Want more of Dave? Hop over to my friend, C.K. Bryant's site-she's hosting him today too.

Guest Blogger- Dave Farland on Audio Books

Dave Farland

Extra Extra!

I've been looking into turning my book into an audiobook because so many people have approached me at
 signings and asked when it will be in audiobook form. (I also listen to my fair share of audio-books) They assure me that they will gladly buy it because they just don't have time to read anymore. 

Have you looked into getting an audiobook made? Wow! Those services are expensive and you're not even guaranteed a great reader.  They can run you around 20 grand. Yep! Take that deep breath.

So, when Dave Farland asked for volunteers to host him this month I was so excited to have him address this very issue. If you don't know about Dave. Go visit his site. He's awesome.

Here's what he had to say..oh, and if you leave him a question today, he will answer you, so be sure to click the box that will send you his response when you ask a question in the comment form.

Breaking into Audio Books by Dave Farland

As an indie author, how do you break into audiobooks?

Ah, that’s an easy one!  Most indie authors are afraid of what it might cost to hire a celebrity actor to read a book.  Really, folks, there are other ways.  A few years ago, I had some readers ask if I would ever be willing to podcast my own novel.  I’d never thought of it.  I’m not an actor.  But I did a little informal survey over the next few weeks, and found that 55% of the people who asked about audiobooks said that they would prefer to hear the author read it in his or her own voice.

Of course they would!  I’d love to hear Tolkien read Lord of the Rings to me.  I’d much rather hear it from him than from the finest actor.  In fact, I’d love to listen to both, one after another. 

The point here is that you can do it yourself.  You can either get your own recording equipment or find someone to do it for you.  If you have a local college nearby, find someone who is already working in sound for films.  You can probably hire them to use their own equipment and even mix it for you, taking out your “um’s” and “ah’s.”

Don’t be afraid.  Take an acting class or two if you feel that you must.  As you record, just make sure that you read it the way that you wrote it—with the names spoken the way you want, the stresses put in the sentences the way that you imagined it, and so on.  If you don’t get it right the first time, you can do multiple takes of the same line.  It’s really not that hard, or that scary.

If you really feel that it would be better with a professional actor, just look around.  I have a friend whose voice would be wonderful for broadcast work.  I knew an actor years ago, a fellow in a motorcycle gang, whose “look” would only let him play crazed villains in movies.  He was a big old monster of a fellow, with an enormous beard, and biceps the size of beer kegs.  But he was a sweet guy, and his voice was amazing.  Many times, great voice actors just don’t have the face needed to be popular stars.  So you can often get them to work for you inexpensively or even free, so that they can boost their own resumes as they go seeking other voice-over work.

Your audiobook doesn’t have to be expensive to produce.  You can edit in sound effects if you like.  With my latest book, we had a professional composer create a full soundtrack for it, which is a first for me, but you don’t need all of that.

Once you’ve made your recording, you can post it to the internet from your own website, and even sell it on places like iTunes.  You might even submit it to professional audiobook publishers like Audible.com. (Please see the various vendors for their own rules on how to submit.)

David Farland’s latest novel, Nightingale, tells the story of a young man who is abandoned at birth, and raised in foster care.  At the age of sixteen he is thrown out of his house, and meets an extraordinary teacher, a woman who recognizes that he is a “Nightingale,” a creature not quite human.  The novel is available in audio format, enhanced novel, e-book, and hardcover.  Check it out, along with the soundtrack, at http://www.nightingalenovel.com/

Do you have any questions for Dave? You have his undivided attention. Just leave your question in the comments and he'll answer you.

I wouldn't dare do my own audiobook, but I sure know a lot of high school drama whizzes and college production majors....how about you? Would you be the voice of your book?

Indie Publishing Secrets Revealed #13 To Indie-Publish or Not?

Indie-publishing vs. Traditional Publishing

You must be wondering whether e-publishing is for you if you are reading this blog series.One important thing importance of staying on top of the industry. Start reading blogs and sites dedicated to this topic. I'll get you started today. I'm a part of an awesome writers' group called Author's Incognito. My good friend, Christine Bryant, posted an interesting email post from Dave Farland's Kick in the Pants. It was about the pros and cons of e-publishing compared to traditional publishing. I thought you'd like to read it. I sure enjoyed it.
A reader of the Daily Kick asked me recently to help him try to figure out whether it was better to self-publish a book as an e-book, or to go with a traditional publisher.


That’s a hard thing to do. Right now, taking a shot in traditional publishing is like trying to hit a moving target. In the past month alone, the nation’s third largest chain, Borders, has filed for bankruptcy and is now liquidating 400 of its stores. Many other bookstores are in trouble.


Meanwhile, book sales on a month-by-month basis for hardcovers in the US are showing about a 40% loss, on a month-to-month comparison to one year ago, and paperback sales are also tanking.


At the same time, Amazon.com, the world’s largest retailer, is showing about a 300% rise in sales of e-books on their site from last year.


Barnes and Noble, the second largest retail chain in the United States, is jumping onto the digital platform. In the past few months, they’ve reduced shelf space for books in their stores dramatically, increasing the space that is allotted to selling e-readers and accessories.


As a result of this, an author can anticipate that paperback sales now are about 50% of what they were last year.


In other words, paper books are rapidly dying. Many of the retailers who were selling them only a year ago are gone, and many of the survivors were selling paper books are now pushing electronic books instead.


So what should an author do?


Right now, if you publish a book in a paper format, it will take about two years for the book to be printed and released. What will the markets look like in two years?


I don’t know. I strongly suspect that in early 2012, we will see that more than half of all book sales are made electronically. By mid-2013, that number might rise to 70% of all sales. In a market like that, what can a publisher really offer you?


For most titles, they won’t be able to do much. Most bookstores will be going out of business. The paper venue will become a boutique business, for specialty stores. This isn’t a bad thing, but it does mean that the publishers will concentrate more on finding “big books.” They’ll cut back on midlist titles, and they’ll want more of the take.


The major thing that they demand is electronic rights. Most publishers now are offering 25% of “net” to their authors on electronic sales. Once they hit the author up for operating expenses, that means that the author will get less than 15% of the money spent on the sale of a book.


Now, don’t be fooled. Your agent will get a portion of that (about 15%, normally). And of course the electronic distributor will normally get a healthy chunk, too (at least 30% of the sales price).


Then you have to worry that your publisher is paying an honest royalty to you. (If you listen to authors, you’ll find that it appears that many publishers are not paying honest royalties.)
The result is that over the life of a novel, the author will get very little of the money paid for his product, if he goes with an agent and a traditional publisher. Let’s say that you write a book that makes $100,000 in sales over the next ten years. How much of that will you get as an author?


Well, the electronic distributor (Amazon.com/Barnes and Noble), under current rates, would get $30,000. Your publisher will take in the other $70,000, and would then pay you 25% of net. What’s the net? That’s hard to determine. The publisher might well charge you for the operating expenses of its company as a part of that net, or subtract money spent for advertising, or editing.


Let’s be generous on our determination of net, and say that you get 20% of the total received--$14,000. Your agent will then get an additional $2010. This would leave you with a little under $12,000 over the next ten years.


However, if you fire your agent and don’t hire a publisher, you would get all $70,000—less, of course, any publishing costs, such as a cover, editorial fees, perhaps a book designer. The cost of publishing a book can be kept under a thousand dollars pretty easily.


Of course, books online won’t have a 10-year shelf-life. You’ll keep making money on your book for more than a hundred years after you die. So if this book continues to sell for a hundred years, the numbers become astronomical.


Given all of this, the answer to the question is, “When does it make sense to publish with a conventional paper publisher?” The answer is, Never. Those days are gone. It would appear, right now, that the potential profit lines on a graph will diverge dramatically, and the longer you publish your book, the more you’ll regret going with a traditional publisher.


Unless, that is, you look at publishing as a career. It may be that a publisher will bring out your book, create buzz, give you a tremendous advance, launch your career beautifully, push your books so that they sell far better than they would have on their own, and turn you into the next J.K. Rowling. It does happen. Getting the notoriety and the marketing push from a big publisher can be a huge boost to a budding career, and it may be worth your time to seek out a major publisher.


You publisher typically offers editorial skills, marketing muscle, credibility—a lot of things that any author needs.


However, as an author who has been in this business or 25 years, I have to warn you about how it really works. Anyone who has been in this business for very long will tell you horror stories about how the conventional publishers messed up their editing, their cover quotes, their cover art, missed their ship date, under-ordered on print runs, refused to send the author on a signing tour, and so on. In other words, for every fairytale come true, authors can tell you about a hundred nightmares. For every author who makes a living in this business, dozens attempt it and fail.


In the final analysis, I’m not sure that this has to be an either/or situation. I believe that publishers will soon begin buying rights to books that breakout as e-books. When that happens, you might be able to enjoy the best of both worlds.


So maybe the question isn’t “Should I self-publish?” Maybe the question you should be asking is, “What’s the best way to self-publish in order to make sure that my book goes big?”


I’m going to talk about the way that makes the most sense to me in my next post—hopefully next week.


But for now, I have to get back to my real job—writing.


  I'd love your opinions on this.
Happy e-learning!